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I don’t know why I waited so long to watch Weezer in concert, but I finally did it. It was truly a night to remember. I don’t know what I was supposed to expect, but this concert was everything I dreamed of & more. I know lead band member Rivers Cuomo is a pretty quirky & mostly reserved guy, but I feel like he “let his hair down” a bit that night & let loose…about as much as he was willing to. I overheard a lot of fan feedback complaining, lamenting saying that the concert was too short. I thought it was just right, yet I can see how the concert would be perceived as short, with no breaks In between playing songs & not much talking/messing around between the songs & instrument changes. It almost felt like they just breezed through their greatest hits & sprinkled in a few songs from their new album as though they were in a hurry to get to someplace else. However, I quite liked the no-nonsense pace of the concert. Don’t get me wrong…I am not cool with all-business-no-pleasure, but I also don’t like when a band veers too much off track or takes too long to set up between songs/sets. Everything was packaged neatly with a nice Pink(erton) bow.
There were two opening bands before Weezer took the stage as the headlining act. The first band was Young Rising Sons. Before this concert, I’ve only heard one of their songs on the radio: “High“. Normally at concerts, I don’t really pay attention to the opening acts, but I quite liked this band. They reminded me of a catchier, pop-ier version of The Black Keys. I’m not going to lie. I was first drawn into their music by the attractiveness of the lead singer Andy Tongren & the clothing fashion of lead guitarist Dylan Scott. I also liked their music.
The second band to perform was Kongos. You may have heard them on the radio with songs such as “Come With Me Now“. I don’t have much to say about this particular band, as I am not attracted to their music in any way. I’m sorry, but this band just doesn’t get my motor running…even if they do have a cool accordionist. Also, I just couldn’t get over the lead singer Daniel not wearing any shoes & traipsing around the stage barefoot. The only thing I could think about during this set was “I hope he doesn’t step on anything sharp,” & “I hope he doesn’t get into a bed with white sheets later tonight, lest he leave black footprints everywhere in the bed.” Yes, those were very bizarre things to think about during a concert, but nevertheless I was thinking them. I’m not a germaphobe per se, but dirty feet, well actually feet in general, gross me out pretty seriously. That’s why I think I’d be a terrible nudist.
Finally, let’s get on with the good stuff…WEEZER! Yeah, the band members were all pretty chill & AWESOME. They started their set right away with their oldie-but-a-goodie My Name Is Jonas & shut down the house with their extremely popular song Buddy Holly. In between they performed the following songs (in no particular order): Perfect Situation, Beverly Hills, (If You’re Wondering If I Want You To) I Want You To, Undone (The Sweater Song), Say It Ain’t So, Island In The Sun, Pork and Beans, Dope Nose, Hash Pipe. Weezer also performed two new songs from their new album Everything Will Be Alright In The End. I can’t remember the exact song titles, but I believe one was “Ain’t Got Nobody”, & the other was “Go Away”. This was the first time both of those new songs were performed live. Aside from Rivers Cuomo changing up a few lyrics here and there to cater to the audience, there was not a whole lot of playfulness from the band. Only two instances stand out in my mind. One: when a fan rushed onto the stage & danced around a bit before the security got a hold of him & escorted him off stage. Rivers made a few jokes about that guy joining the Olympic track team. Second: when Rivers was introducing the other band members in the middle of the song “Pork and Beans” & he got them each to continue singing the rest of the lyrics as he introduced them one-by-one. Other than that, he made a quick reference to Weezer’s latest album “Everything Will Be Alright In The End” & how it’s available on iTunes. Yes, the set was short but sweet. Most of their greatest hits were performed, with the exception of a few true gems (i.e. El Scorcho, The World Has Turned and Left Me Here, Keep Fishin’, Troublemakeretc.). Yet, I feel they pretty much covered all the bases & did a job well done. I can only just begin to believe that I was in the presence of greatness & legend that night. Cheers!
https://twitter.com/melsenpai/status/517922031225294848
Today’s song of the day:
Almost immediately after returning from Portland, OR (I will write about that trip shortly) I was whisked away to San Francisco’s annual music festival Outside Lands, held over 3-days in Golden Gate Park. This wasn’t really a planned event; I kind of planned all of this at the very last minute. My travel companion & I wanted to go to Outside Lands ever since we saw the music lineup for this year, but we were very skeptical to shell out big bucks for tickets, since we were originally planning a vacation to New York & needed to save our moola for that massive expense. So, we decided at the beginning, on not buying tickets. Plus, there was a small discrepancy on which tickets to get. My concert buddy only wanted to go for one day, & I wanted to go all three days. My concert buddy only wanted to watch The Killers on stage, but for me, there were so many other bands/artists I wanted to watch perform (ie. Arctic Monkeys, Bleachers, Capital Cities, Grouplove, Death Cab For Cutie, & my secret love…Big Freedia).
Ok, back to the original topic, my re-cap. I was really quite impressed with the way the event planners handled the whole festival. Everything was well-organized & clearly marked (I was expecting massive queuing lines & disgruntled concert-goers), except I wish they had done better bag checks because too many people were able to just waltz right in with their own alcohol & party drugs without one single staff member even batting an eye. I think what surprised me the most was 1. The very short lines to the Port-o-Potty bathrooms & 2. Everybody from the shins down was covered in dust & dirt from kicking up all the soft earth while walking on the unpaved footpaths. (I felt like I was camping like I used to do when I was a kid.) What surprised me the least was there was no TP in any of the stalls…oh & girls dressed in skimpy outfits.
Proper WOMEN’S attire for Outside Lands:
cut-off denim booty shorts, slouchy vintage t-shirt, boyfriend-style plaid shirt (to show off how grunge &/or bohemian you are), ankle boots, Ray-Ban wayfarer &/or aviator sunglasses, plenty of unnecessary jewelry (that says I’m trying way too hard to be girly AND edgy) & pasted-on makeup.
Proper MEN’S attire for Outside Lands:
vintage/graphic t-shirt or tank top, chino pants, Van’s sneakers, Ray-Ban wayfarer &/or aviator sunglasses & a haven’t-washed-my-hair-in-weeks hairstyle.
Other than the music (obviously), I loved all of the food & activities at the festival. Oh my stars! I could just spend an entire day sampling all of the food from each of the food stalls…So. Mouthwatering. Good. (I’m getting hungry just thinking back on all the food!) FYI, to eat I had the pork fried rice from Chino, beer-braised chicken soft tacosfrom Tacolicious, & a cheese tamale from Alicia’s Tamales Los Mayas. To drink, I had lemonade, Anderson Valley Boont Amber Ale beer, Bulleit Bourbon manhattan cocktail, & Coke.
One of the highlights of my entire music festival experience was the charcuterie break dance-off. Yes, you heard it here first…a break dancing dance-off featuring two butchers from 2 local charcuterie/butcher shops. The break dancers would dance at the front of the small stage while in the background, the butchers were chopping & slicing up a whole pig. The day’s guest butchers were from Fatted Calf Charcuterie & Avedano’s Holly Park Market, both from San Francisco. This, by far, was the most weird yet interesting live events going on at the festival. I had so much fun watching this. The most fun part was watching the butchers carefully hacking up a pig’s head. The break dancers weren’t so bad either. At the end of the show, all of the pork cuts that had been made on stage were not going to be wasted. They were going to be used to feed all of the volunteer staff (the guys picking up trash, passing out maps, etc.).
Now on to the music…Various artists & bands were performing on stage throughout the entire day, but the main event we were there to watch did not go on stage until the end of the night. So, we mostly wandered around the park for most of the day, soaking up the enormity of the festival. We got ⅓ of the way up to the stage just in time to watch THE FLAMING LIPS perform right before our favorite band THE KILLERS shut the house down. I’ve known of The Flaming Lips for many years, but am not really a fan of their soft, ambient rock music. Let me just start this off by saying Wayne Coyne is pure magic. He is also full of rainbows & sunshine, literally. No, I’m not joking, he invited a number of costume-clad guests up on stage during his set (including, a grassy hilltop with a rainbow-haired woman lying inside & peeking out of it, a 2-person manned rainbow, butterflies, a giant sun, 2 mushrooms, an alien, & I can’t think of the rest). I didn’t quite “get” Wayne’s outfit, a flesh & muscle depicted bodysuit that made him look like a character from the Attack On Titan anime with silver string tassels hanging from the crotch like a Japanese fundoshi (loin cloth). I enjoyed this set. I only recognized two of the songs they played, but I was still captivated by the eclectic stage show & Wayne really knew how to engage the crowd. However, I spent a fair amount of time trying to explain this band to my concert buddy who didn’t know who The Flaming Lips were at all & didn’t take a liking to their more Avant-Garde approach to music.

Pardon my lack of quality in these photos. I strongly dislike taking out my mobile phone at concerts to take photos &/or videos. I am there to enjoy the music, not to hold up my hands & stand stock still while I block the view of the guy behind me.
I’ve seen The Killers in concert before, but somehow this performance was so much more high energy & exciting for me. Maybe it was because the moment had finally arrived, & I was ready to get the show on the road. It was such a relief when the lights turned down & the band ascended the stage. I truly believe the light show nearly stole the spotlight from Brandon Flowers (who killed it on vocals, by the way). You could tell that the light show was an homage to their Las Vegas roots, a bit of a nod to the flashy Vegas Strip. One of the things I love the most about The Killers, other than their strong family values & bonds, is their love for their hometown. In a lot of their songs lyrics or album cover art, you will notice the tongue-in-cheek homage to Las Vegas, at once making fun of the touristy glitz & honoring their beloved city all at the same time. This set was particularly memorable for me (as well as for my concert buddy) since it was more like a Direct Hits (<—a nod to their CD’s name) set list.
The Killers played all of their hit songs & then some, really amping up the crowd between the lighting choreography changes. I don’t think I have ever sang along or screamed so loud at a concert in my life (except at the Save Ferris concert back in 1998). It was a good thing I had a drink with me the whole time, otherwise I would’ve lost my voice by the end of the night. I have to admit, the greatest moments of The Killers’ set (& there were 2 separate moments) were when they performed two cover songs in between playing their own hits. They first performed a cover of Credence Clearwater Revival‘s song “Bad Moon Rising” (a nod to a classic Bay Area band). Then later on, they performed a slightly altered cover of Otis Redding‘s song “Sitting on the Dock of the Bay” (which is a song about San Francisco). They changed the lyrics “…home in Georgia” to “…home in Las Vegas” and the lyrics “…heading to the ‘Frisco Bay” to “…heading to Outside Lands“. Those two moments really stood out in my memory. The Vegas boys started their set with the oh-so-popular “Mr. Brightside” & ended on a roaring bang with “When You Were Young”. In between were a sprinkling of Hot Fuss, Sam’s Town, Day & Age, & Battle Born top hits. I kind of wish they had played their newest singles “Miss Atomic Bomb” and “Just Another Girl”, but I was still happy they performed almost all of my all-time favorite songs. By the end of their set, I was grinning from ear-to-ear.
In the end, I was exhausted & very sweaty from A. the whole day’s exertions (did I mention we parked 10 blocks away from the venue?), & B. people pushing shoving you just to get 1 inch closer to the stage (with lame excuses like, they have to meet their “friends” at the front of the stage). There was absolutely NO space for anybody to move even half an inch, but you’d still get pushed & squeezed in every direction. I can’t tell you how many times I got jabbed or groped by someone’s elbow or backpack right in the chest, or how many times my feet got stomped on (practically steamrolled right over my feet). I was, in the most extreme way possible, harshly shoved, squeezed & quite frankly barreled over by the most rudest concert-goers I’ve ever encountered in my life, & trust me…I’ve been inside a rowdy mosh pit at the Van’s Warped Tour back in the late 90s when there weren’t so many laws against trampling over people at concerts. The event staff was great at policing the kids who thought it would be cool to sneak in a water bottle filled with tequila, or catching cheapskates not wanting to buy full-tilt cocktails at the festival & sneaking in bum-sized bottles of Fireball whiskey (which tastes appalling, in my opinion). They were also good at catching kids trying to hop fences & bum-rush the stage, but other than that, nobody could police the courtesy, civility or manners of the general concert-going population. While as patiently as humanly possible in that situation waiting for The Killers’ set to start, all I could hear around me were smug talks of the last time that person tripped out on ecstasy (more affectionately known as “Molly”, a word made popular by the incorrigible Miley Cyrus) or of all the marijuana smoking going around. It made me sick to my stomach, that these kids would try to glamorize the copious & very public use of “Molly” and “Mary Jane”.
One of the main reasons people were being so unbearably rude at the music festival was because they were either highly intoxicated on drugs, alcohol, or both…on that day, it was both. Aside from all of my ranting & hollering about the rudeness of the people, I would definitely go back to Outside Lands next year. Although, I will bring some sort of non-weaponized stick next time, so I can poke others in their butts if they try to cop-a-feel. Eh, maybe not. Cheers.
Today’s song of the day:
“Triple Trouble” by The Beastie Boys

Here’s a little-known fact about myself. I was sort of a big fan of Ska music when I was in high school, all the way through my college years. I lost touch with the music genre somewhere towards the end of college up until about 4 years ago. In my younger years, I was a HUGE fan of the band Save Ferris. I even snuck out once, during my senior year of high school, to watch Save Ferris perform at the music hall in The City. At the time, they performed with Goldfinger & pre-fame Incubus. I don’t really know why, but I’ve never really shared this bit of information publicly before. I guess it just never came up in conversation.
Back in those days, I liked to listen to a variety of music, but I was really influenced by a close school friend who introduced me to this music. Some of the bands I liked listening to were: Reel Big Fish, The Aquabats, Dance Hall Crashers, Buck-O-Nine, Goldfinger, The Mighty Mighty Bosstones, & the pre-Reggae/Pop version of No Doubt (just to name a few). It took me a while to jump back into this genre of music, but I really fell in love with this type of music once I discovered Japanese Ska music. A few years ago, by chance, I discovered a really cool Ska band from Japan called オレスカバンド(a.k.a. Ore Ska Band). They are an all-girl group from Sakai, Japan, & their signature instrument is the bright pink trombone that band member ハヤミ (Hayami) plays. That got me interested in learning about the Ska music scene in Japan, which led me to another awesome band called Tokyo Ska Paradise Orchestra consisting of veteran band members who have been around for many, many years.
After jumping back into this music scene, I am really excited to share some music & videos! This Thursday has been a really “blah” kind of day, so I thought I’d cheer it up with some rockin’ music!! Here are a few examples of the bands I’ve been listening to lately:
TOKYO SKA PARADISE ORCHESTRA – 流れゆく世界の中で feat.MONGOL.800 (a.k.a. Nagare Yuku Sekai no Naka de feat. MONGOL.800)
TOKYO SKA PARADISE ORCHESTRA – 閃光 feat. 10-FEET (a.k.a. Senko feat. 10-FEET)
ORE SKA BAND – 爪先 (a.k.a. Tsumasaki)
Now, here are some other similar bands that I’ve also been following lately…
CRAZY KEN BAND & 野宮真貴 (Nomiya Maki) & M-FLO – COSMIC NIGHT RUN
BLACK BOTTOM BRASS BAND (BBBB) & BOY-KEN & M-FLO – 宇宙のウオウオ(a.k.a. Uchuu no Uo Uo)






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